The facade of the lobby was completed in 1921, and a marquee installed two years later. Extending from the 1882 vestibule to Maumee Street is a long, narrow lobby built in 1919 concealing the ornamental facade of the vestibule. The original facade had a round-arch entrance, executed in polychrome brick, which was concealed in 1882 when a small, brick vestibule was added.
#Croswell opera house windows#
The side facades each had six round-head windows on the upper story and six segmental-arch-head windows on the lower story which have been filed in with brick. The 1896 extension is clad in grey asbestos shingle. The stage housing at the end of the auditorium was extended upward and outward in 1896, increasing the fly gallery and stage depth. The cornice is adorned with a corbel table. (Two adjacent commercial buildings that now house theater functions are not included in the historic designation.) The roof is gabled with a low pitch.
#Croswell opera house how to#
HOW TO ORDER: By calling 51 or online at croswell.The Adrian Union Hall/Croswell Opera House, completed about 1866, is a two-story, rectangular structure constructed of red brick laid in common bond. And that’s what I love about Cole Porter the most.” If you go Those range from a soft-shoe for Antalek that DiPietro wanted added in just so audiences could see some of that historical dance form, to an Act I finale that Nowak choreographed so it steadily grows from just three tap-dancers into a huge tap number. And it’s the kind of show that just has to keep on moving.”Īnd he thinks audiences will love watching and listening as it all unfolds onstage: the zaniness of the plot, all that Cole Porter music, and the dancing. “The vocals, the dance, the timing are all huge. “The show is big, and it’s hard,” he said. It’s also a challenge for everyone involved. McCloskey as Eli Whitney are pictured in a scene from "Anything Goes" at the Croswell Opera House. Mary Rumman as Evangeline Harcourt and William E. “And it’s one of a handful of the oldies that I love.” “It’s one of those great American shows,” he said. It’s the first show he ever directed as a member of the Siena Heights University theater faculty, and he directed the Croswell’s most previous production of it. His fondness for the show has its personal side, too. “His lyrics resonate with all of us,” he said. To him, all those iconic Porter tunes, which come in styles ranging from torch songs and ballads to huge production numbers, are part of what give the show its lasting appeal. “In the ‘20s it was ‘Show Boat’ and then in the ‘40s it was ‘Oklahoma!’ These were things that reinvigorated musical theater.” “I think this is THE show of the 1930s,” he said. “There’s ‘I Get a Kick Out of You,’ ‘You’re the Top,’ ‘Friendship,’ ‘It’s De-Lovely,’ and ‘Anything Goes’ - and that’s just Act I,” DiPietro said.Īct II only continues the Porter hit parade with “Blow, Gabriel, Blow” and “All Through the Night,” along with a host of other tunes.ĭiPietro thinks that this particular show is one of American musical theater’s early touchstones. “Anything Goes” contains a bevy of some of Cole Porter’s greatest hits. Choreography is by Sarah Nowak with vocal direction by Mandy Kruse and music direction by Ray Novak.
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